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Your design team,
extended

Add 20 years of visual wizardry to the ideas worth getting right

Milan, waving

How it works

Subscribe

One monthly fee, no contract length to negotiate. Pause when the pipeline goes quiet, restart when it doesn't.

Send

Slack, Teams, email or your own Trello board. Requests are worked one at a time, in your order of priority.

Receive

Most requests turn around inside two working days. Your project, your files – always.

About

Hello – I'm Milan.

Making complicated things understandable since 2004: information graphics, diagrams, visual explanations and the kind of storytelling that carries an idea through a brochure, a stand, a deck or a screen.

There's plenty of print in the mix too – artwork, prepress and press checks – most of it for agencies and in-house teams, with a deep dive into healthcare and pharma.

Selected work

Twenty years of it, across most things you can print or publish.

Spectre point-of-sale display units and 007 key art for the DVD and Blu-ray release.

Twentieth Century Fox

Spectre

DVD and Blu-ray release campaign.

What it involved

50+ POS units, posters, standees, various ads for publications, online banners.

  • Art Direction
  • Graphic Design
  • Retouching
  • Artworking
Coca-Cola London 2012 Olympics packaging, including five special-edition can designs.

Coca-Cola

2012 London Olympics

Packaging and marketing material leading up to the 2012 Summer Olympics.

What it involved

Special-edition can and bottle packaging, worldwide-partner branding and supporting marketing material.

  • Graphic Design
  • Artworking
Vodafone below-the-line campaign material: banners, booklets, leaflets and posters.

Vodafone

BTL campaigns

In charge of the Vodafone brand in the Hungarian market for over two years.

What it involved

Online banners, emails, guides, booklets, leaflets, posters and various promotional material.

  • Art Direction
  • Graphic Design
  • Artworking
A slide from the PIRL insights report showing a sphere built from thousands of coloured data points.

Page & Page

PIRL insights report

An insights report turning AI-modelled marketing data into something a client can act on.

What it involved

Report design, data visualisation and slide system. The version shown here is the anonymised demonstration edition — the client, the product and the figures have all been changed.

  • Graphic Design
  • Data visualisation
  • Artworking
Be The One campaign material for Harvoni UK.

Harvoni UK

Be The One

“Be The One” campaign design and typesetting across various documents.

What it involved

Interactive PDFs, microsite layout, leaflets, promotional material.

  • Graphic Design
  • Artwork
A Medivise telemedicine booth in an office lobby, its display carrying the brand's messaging.

Medivise

Brand refresh

Brand refresh for a connected health-infrastructure platform.

What it involved

Brand refresh, posters and print material.

  • Art Direction
  • Graphic Design
  • Artworking

Help and relief for your team

Extra capacity, when it counts

A dependable extra pair of hands for campaigns, decks and print when the workload grows.

One cost, every month

A fixed line in the budget instead of per-project quotes and end-of-quarter surprises.

Breadth without five freelancers

Digital, print, presentation and 3D handled by the same pair of hands, to the same standard.

Your brand stays consistent

The same designer month after month means your guidelines are held, not relearned.

An extensive print background

Twenty years of production files, artwork specs and press checks – not a digital-only skillset.

No management overhead

No recruitment, no onboarding process, no one to brief but the designer doing the work.

Services

Explaining complicated things, clearly.

Marketing & communication

  • Brochures and flyers
  • White papers and reports
  • Advertising
  • Infographics
  • Email graphics

Digital products

  • UI/UX design
  • Digital design systems
  • Landing pages
  • Websites
  • App builds

Presentations

  • Sales decks
  • Investor decks
  • Conference presentations
  • PowerPoint templates

Print & events

  • Packaging
  • Print production
  • Exhibition stands
  • Roll-up banners
  • Large-format graphics

Visual explanation

  • Data visualisation
  • Information graphics
  • Informational animations

Healthcare and pharma

This is a specialism. I understand regulated copy, approval cycles and artwork accuracy.

Video editing and post-production sit outside the subscription. Happy to point you to someone.

What people say

Mostly about the details nobody else noticed.

“The most beautiful small print we've ever devised.”

Ranjini BalanPh.D. | Associate Creative Director, TwentyEightC

“Milan is an archangel, he's a hero, and he's a very good-looking man as well, as you can see from his photo.”

George RyderFreelance ACD/Senior Copywriter

Pricing

The ways to work together

One monthly fee, one designer. Send as much as you like – thumbnails, infographics, websites, UI, decks, print – and it comes back upgraded and updated, in your order of priority. No contract to negotiate and no payroll to expand.

Small by design, so every brief gets the focus it deserves.

Monthly design subscription

£5,500 / month

£3,590/ month

For teams who need to get sh*t done

  • Unlimited requests
  • Typical two-working-day turnaround
  • Pause or cancel any time
Join now

Day rate

£495

For spiky demand – agency overflow, a pitch next week, one exhibition to get out of the door.

  • Same seniority, the old fashioned way

Questions

The things people ask first.

What does "unlimited requests" really mean?

Add as much to the queue as you like. One request is worked at a time, so the queue moves in your priority order. Larger pieces – a full brochure, a design system – get broken into stages and scheduled.

How quickly will I receive work?

Most requests are completed within two working days. Larger pieces – a brochure, website or design system, for example – are broken into sensible stages, so you can see progress and keep the queue moving.

Subscription or day rate – which one?

If the work is predictable and recurring, the subscription is cheaper per day and easier to plan. If demand is spiky – typical for agencies – book days as you need them. What you are choosing is the shape of the commitment, not the person doing the work. An intro call will help settle which is the better fit.

How does print work fit in?

The same as digital. Artwork, production files, prepress specs and liaison with your printer are all in scope – half of those twenty years were spent making sure files come off the press correctly.

How does pausing or cancelling work?

Pause or cancel whenever you need to. Any unused days from your current subscription carry forward, ready to use when you restart. There is no fixed-term contract and no need to start again from scratch.

What software do you use?

Figma for most digital design, Adobe for wider design and production work, and Blender when a project calls for 3D. You will receive files in a format your team can use and continue working with.

Where were we? Oh yes

Fifteen minutes, no pitch. Tell me what keeps getting pushed back, and I'll give you a straight answer on whether a subscription or a few days is the better fit.